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Customer Gallery

J-Bass® Section
(These items are not for sale)


Michael Fisher Fisher<br />Transluscent purple Warmoth body and paint job on a hard ash body, Bartolini Active pickups, gold J-Retro preamp, gold badass bridge, pearloid pickgusrd, gold shaeller tuners, gold strp locks and screws, maple neck with mother of peral block in-lays, brass nut... Sound (whether or not amped)........ priceless. les Haley<br />Black Korina body in tobacco sunburst. Birdseye maple neck with wenge fingerboard. Joey DeSimone<br />This is my second Warmoth Jazz bass. Gloss black Alder body, Padouk/Pau Ferro neck. One ply gloss black pickguard. Curtis Novak P bass pickup and SD Antiquity II J bass bridge pickup. Aguilar OBP-1 preamp (with active/passive switch and passive tone control) running at 27V. 3 way Tele&reg; style pickup selector switch. Top+rear routing for the traditional top-rout look plus extra space for the switch/batteries/preamp. Hipshot Ultralite tuners and Detuner. The bridge is a Gotoh 201 for now until I upgrade it. Joey DeSimone<br />This was my first Warmoth project. It's actually a nice Warmoth neck on a crappy Squier body. Not exactly perfect, but it's a fun beater bass. Birdseye Maple JBass&reg; style neck finished in vintage tint gloss. 21 "fret" lined fretless Goncalo Alves fingerboard with an epoxy coating done by Sam Horn. Squier body made of Agathis, finished in a 3 tone sunburst. It was originally from a Vintage Modified Jazz Bass. The pickup was custom wound for me by Curtis Novak. It splits between a traditional Jazz bass bridge pickup sound, and a humbucker sound. Martin Hammond<br />Swamp Ash body, finished in Vintage White. Birdseye maple neck, in satin with gloss peg head. Ebony fingerboard. Nordstrand NJ4SE pickups, ACG/John East filter based preamp, Badass bridge. Big growly tone! Jon Perry<br />My Koa beauty! Koa top/mahogany body, Pau Ferro neck, reprofiled headstock, and a P Bass 4 neck made into a 5 string! Plays like a dream. I LOVE this bass. Thanks Warmoth! AMAZING RANDY<br />WARMOTH WALNUT WITH MAPLE/EBONY NECK- BASSLINES- BADASS III BRIDGE- AGUILAR 18 VOLT- PERFECT BALANCE- FLAWLESS and Sustain for Days! Thanx Warmoth- BEST IN THE BUSINESS Mick Iozzia<br />Hi! This is my first Warmoth project! Alder body with flamed maple top, Birds eye maple neck and music man tone circuit. This is a very versatile instrument, easy to play as well in rock, funk or jazz sessions Thanks for your help ! Cameron Macdonnell<br />Swamp ash jazz body with a Status graphite neck and SGD neo-jazzbucker pickups Carlos Lorenzo<br />A classic Marcus Miller style bass with active electronics designed and built by yours truly. SD stack pickups, series/parallel and active/pasive push/pulls and Badass bridge. Nails the tone! Tim Weaver<br />My first build and couldn't be happier with the results! It's a Dinky J body of Black Korina with a Canary laminate. The neck is Padouk with a fretless Ebony fingerboard. Seymour Duncan Musicman pickup with active electronics. The body was finished with pure Tung Oil, the neck is unfinished. The smoothest bass I've ever played..Thanks Warmoth! Tim Farnsworth<br />Dinky J body, Black Korina with Wenge / ebony J bass neck. Dimarzio pickups. Simple and oh so effective. Ryan Lange<br />Alder body w/ flame maple top, fretless maple neck w/ ebony fingerboard. Just about everything is Warmoth. Couple things here and there but it sounds amazing! Thanks for the great parts! Smith James<br />THIS IS MY FIRST WARMOTH BASS.I GOT THE BODY AND NECK OFF THE SHOWCASE.THE BODY IS SOLID WESTERN MAPLE;NECK IS MAPLE/MAPLE;JIM FULTON AT LONE STAR GUITARS ASSEMBLED AND PAINTED IT FOR ME. THE PICKUPS ARE EMG JAZZ WITH AN AGUILAR PREAMP. THE BRIDGE IS THE LEO QUAN BADASS IV. Mark Meister<br />I bought the finished body from the Showcase. It has an Alder bottom and a Quilt Maple top. The back is finished in Transparent Brown, and the top is a gorgeous Light Tiger's Eye dye. I had the neck made, and it is Maple with a fretless Pau Ferro fingerboard. The peghead is Quilt maple with the same Transparent Brown as the back of the bass. Pickups and hardware are pretty much standard issue J-Bass&reg; type. I was looking for a solid bass that could give me some stand-up bass flair, and I got it. I bought the clear pickguard on-line and outlined it in black to give it some definition, but let that stunning finish show through. This is my 2nd Warmoth project, and I can't wait to start a third. Thanks to Brian and everyone at Warmoth for making this a great experience. Mark Meister Chris Akin<br />The body is a hollow JBass&reg; Style Bass purchased from the Showcase. The top is Canary and the back is African Cherrywood. I finished it with 10 coats of gunstock oil. The J style Warmoth neck is Padouk with a Pau Ferro fretboard. The Pickups are Bartolinis. Ingolf Berber<br />The Golden Reptile Body: Mahogany with Lacewood-Top Neck: Bubinga/Ebony fretless Pickups: Lindy Fralin Vintage Finish: Antique Gold - Oil-Wax-Finish Vince Di Francesco<br />I ordered a Swamp Ash body with the Black-Red-Yellow burst finish. When I opened the box after receiving it, my jaw dropped. Amazing work on this body. Specs: Bartolini Pickups Audere Preamp Fender Precision Reissue neck Badass II Bridge Sound absolutely amazing. Thank you very much Warmoth Scott Lavoie<br />Body: Quilt Maple on Alder finished in Jungle Burst<br> Neck: Maple/Brazilian Rosewood w/ satin finish<br> Pickups: Lindy Fralin<br> Hardware: Schaller BML's and a Badass II<br> Electronics: Sadowsky preamp<br> <br> This is my first Warmoth bass and I'm totally blown away by how it feels and sounds. Of all the basses I've ever played no bolton has ever resonated like this thing! Everything fits perfectly and looks great. It is everything I could have asked for and more...definitely my new #1 axe. Kurt Schaefer<br />My latest bass build, Dinky J-Bass&reg; style bass body, zebra wood top, Black Corina Back, wenge neck,ebony fretboard, Aguilar 18v preamp, Bartolini pups and badass bridge. Plays, Looks, and Sounds perfect!!! Paul Cartwright<br />The body is my childhood bass Cimar with a 20 fret Warmoth JBass Neck. I had a decal made with my daughter's name and finished in nitro. Jan Gresel<br />Deluxe 5<br> <br> Swamp Ash with Pau Ferro top<br> All Maple neck with Abalone dots<br> satin finish for natural beauty <br> Schaller BMlight<br> EMG 40P5 + 40J @18V<br> Aguilar OBP3 @18V + Noll Mixpot @18V<br> Ctrl: VolMixMidBsTreb <br> MidHiMidLoSwitch + EQbypass<br> TK5 bridge, ETS knobs, Neutrik jack<br> Weight 4.36 kg<br> <br> For details: feel free to email Jan@brq.de Tim Bucher<br />When I saw Geddy live last year, I really liked his custom Fender Jazz, with the black block neck inlay, black neck binding, and trans red finish with no pickguard, just the control plate. So, with wanting to make a somewhat Geddy style bass, off to Warmoth I go. I found a nice J neck in the Showcase with pearloid binding and block inlays. To compliment the neck, I ordered a Dinky J in Sonic Blue, one of my all time favorite colors. To finish the design off, I asked to have the headstock shot to match the body color. Rounding things out, are Bartolini pups and a John East J Retro 01 preamp. This is a really sweet bass, playing fat and happy, with tone every which way you could ever want to go. Thanks again Warmoth! Reid Raymond<br />This is my second Warmoth Jazz bass. This bass has an Alder body with Candy Apple Red finish, a maple neck with a Rosewood fretboard, a tortoise shell pickguard and chrome hardware. The pickups are the Basslines Hot Stack for Jazz and an Audere preamp completes the deal. Everything but the preamp came from Warmoth. The bass sounds and plays wonderfully. It looks pretty good, too! Thx Warmoth! Luis Martinez<br />Hello people, here's my Warmoth project:<br> Birdseye maple neck finished in clear gloss, Schaller 463 bridge, Schaller tuners, p/j EMG active pickup set, ErnieBall strings, corian nut, Dunlop straplocks. The body was made by me, it's an oak base with a mezquite top, both woods together are quite heavy, I glued both woods together, cut them, and sanded up to 0000 with steel wool, finished with 5 coats of danish oil, I like the warm feel of the wood like this. The sustain obtained worth the weight, neck action is incredibly soft. <br> <br> Regards.<br> <br> Keep on rockin'!!!!!! kevin Bolen<br />J-bass&reg; style bass, black korina body, maple\rosewood neck,Seymour std hot and quarter pounder pickups gotoh 201 bridge,schaller tuner, 2 vol,2tone tung oil finish on body, wood grained the neck head with ebony this was my first build! I can't believe the ease that all the parts went together! I don't think I'll ever buy a pre-built bass. This thing plays GREAT and the sound is just what i wanted. I can't wait to order another! Thanks Warmoth! Kelin Kreider<br />I had this bass built in 1982 with parts I bought from Musicians Friend. I don't know who made the body or the original neck. It has a Leo Quan Bad Ass II bridge, Grover tuning machines, DiMarzio pickups.<br> When the Jaco article in Guitar Player magazine came out in '86 I had my frets ripped out within minutes. That neck was not up to the task. So, in 1987 I called Warmoth Guitars and ordered a maple/ ebony fretless neck. They said it would be ready in about three weeks. 3 1/2 weeks later I drove down to Puyallup I was living near Seattle at the time. When I got there I found out my neck wasn't finished yet, so, lucky for me they sold me, for the same price, a bubinga/ebony fretless neck. I love the neck and bass, which weighs a ton, has the best sustain, tone, and feel. <br> I also do artwork so in '92 I drew on the back. I would never have done this if was a vintage instrument, but since there were no Fender parts to begin with I did it. In 16 years my bass and art have got me around the world and elsewhere. <br> I am now trying to decide on 5 or 6 strings, what type of woods, finishes, hardware and all for my next bass. I can hardly wait. Thanx Warmoth, this time I'll call before driving over. franco manna<br />This is my Fiesta Red jazz bass.Two pieces swamp ash body,figured maple neck with rosewood fingerboard,6150 frets,vintage 68 Gotoh tuners.Seymour duncan active pick up,mint green pickguard,Badass bridge Tim Sweet<br />My first attempt at a Warmoth bass and I am totally impressed with the quality of the parts, which is second to none. Korina body from the showcase, maple/ebony neck from the showcase, single high output P pickup with volume only. Built myself with great care and attention to detail. Beautiful, minimalist bass which is..... Simply stunning. Dennis Krabbenbos<br />Black Korina body with bookmatched flamed top, metallic brown back finish <br> Bubinga unfinished neck, streaked ebony fretboard with 6105 stainless steel frets<br> Nordstrand NJ4SV pickups, passive <br> ETS bridge<br> Schaller tuners & straplocks.<br> <br> Both body and neck were showcase pieces.<br> Just a great bass! Gary Windham<br />Neck:<br> J Bass style reverse headstock<br> thin contour<br> 10 radius<br> 6150 frets<br> maple neck/rosewood fretboard<br> abalone dots<br> Corian nut<br> 21 frets<br> vintage tint w/satin matte finish<br> <br> Body:<br> hollow chambered swamp ash<br> tobacco burst w/satin matte finish<br> 3ply mint/black/mint pickguard<br> routed for double battery box<br> jack on side of body<br> <br> Electronics:<br> EMG JV set pickups vintage sounding versions of their normal JBass pickups<br> neck volume, bridge volume, 3way toggle, master tone<br> tone knob is pull/push for series/parallel making it 18v/9v<br> <br> Hardware:<br> Warmoth W neckplate fom Dangerous R6<br> Gotoh bridge modified to accomodate string thru routing<br> Hipshot Ultralite 3/8 tuning machines<br> Schaller strap locks<br> Qparts dome knobs, chrome w/green abalone cap Ingolf Berber<br />MY FIRST WARMOTH BASS PROJECT!<br> <br> Body: Wonderful Black Korina Oil-Wax Finish<br> Neck: Canary/Ebony, Stainless steel frets 6105<br> Hardware: Schaller tuners/Gotoh bridge black<br> PU: Van Zandt PBass PU Handmade in Texas!<br> Poti: Push/Pull Volume Poti Active/Passive Ingolf Berber<br />FRETLESS THUNDER!<br> <br> Body: 1-Piece Swamp Ash Oil-Wax-Amber Finish<br> Neck: Wenge/Ebony fretless<br> Hardware: Schaller tuners/Gotoh bridge black<br> PU´s: DiMarzio PJSet DP126<br> Poti: Balance only straight to output Ingolf Berber<br />VINTAGE MODERN FRETLESS!<br> <br> Body: Swamp Ash Oil-Wax-Amber Finish Special routing! PPU near the neck for a little bit more low end & punch MMPU in normal position <br> Neck: Maple/Ebony fretless<br> Hardware: Schaller tuners/Gotoh bridge black<br> PU´s: P Lindy Fralin MM Kluson Great Vintage PreCBSStyle<br> Poti: Volume for each PU passive Hitoshi AKIYAMA<br />This is my 3'rd Warmoth Project.<br> Dinky J. Jazz Bass Style.<br> <br> Neck: Ebony<br> Fingerboard: Ebony<br> Body Top: Black Korina<br> Body Back: Black Korina<br> Pickup: Sadowsky<br> Passive Circuit<br> Bridge: Schallar<br> <br> Sound of this bass is tight and long sustain.<br> Weight balance is little bit bad. Ebony neck is so heavy. Doug Doss<br />Another great Bass Finished with Warmoth parts! Lane poor PU Lane poor 1x1 preamp. Thanks Guys Liam Conlan<br />My first of many Warmoth builds, this one started out as a Walnut body, finished in 10 coats of tung oil. During finishing, I custom ordered the Wengeneck, featuring a fretless Ebony fingboard. <br> <br> While waiting for the neck to be built, I decided on what hardware and electronics I was going to use, which ultimately included the Gotoh 201 bridge, Schaller tuners, and Seymour Duncan's Steve Bailey signature jbass pickup/preamp package. <br> <br> 99.99% of this bass was sourced from Warmoth, and it's the most amazing instrument I've ever played! rob guethlein<br />Here's my new Jazz Style Bass:<br> Maple/quilt maple Dinky J, padouk neck, bloodwood fretboard, abalone dots, Fender SCN pickups, Hipshot individual bridges. Hands down the best sounding and looking Jazz Style Bass there is. OK, maybe I'm biased. Ray Scannapieco<br />61 Stack Knob Jazz Style Bass <br> <br> Here is my second Shell Pink Jazz Style Bass that I built utilizing your incredible components. I should have never sold the first one. I started with a Warmoth lightweight premium 1 piece ash Jazz body. It is finished in Shell Pink Nitrocellulose Lacquer, slightly reliced, checked, and yellowed. The bass appears slightly more pink in the photos then it actually is. I also installed a Fender American Vintage Jazz Bass Pickguard, American Vintage Pickup Cover, Bridge Cover, Vintage Bridge, and American Vintage Tuners, all reliced by GR Guitars. The pickups are Fender Custom Shop Vintage Jazz Bass Pickups. The bass includes Fender American Vintage stacked tone and volume pots, vintage caps, with clothe covered wire and brass shielding. <br> <br> I also used a Warmoth Flamed Maple Jazz Style Bass neck with premium rosewood fretboard, Corian nut, and stainless steel frets finished in hand rubbed vintage tinted Nitrocellulose Lacquer with a period correct vintage decal. The fretboard edges have been rolled to simulate age and for comfort of playing. It is strung with LaBella James Jamerson Flatwounds, and is stored in a period correct Blonde G & G Tolex Case. <br> <br> The bass is light at 8 lbs 10 ozs, has a very fast neck, low action, dead on intonation, great balance and sounds and feels, just like a 61 Jazz Bass. In addition, it refuses to go out of tune. When not being played, it is stored in a blonde tolex G & G vintage case. <br> <br> You guys make it possible for almost anyone to build an instrument like this. Thank you for your help and support with this project. David Peters<br />Here is a nice bass I assembled with much help from Ron Puccetti. Warmoth ash and flame maple body finished in clear gloss, and figured birdseye maple neck were from the howcase. They are set off by all black hardware and DR Black Beauty strings. Bridge is Gotoh, Schaller tuners. We loaded it with Sadowsky pups and Sadowsky 9v active preamp with VTC. This bass plays and sounds like a million bucks! Excellent Warmoth and big, fat tone! Chad Haugejorden<br />I had a JRetro preamp lying around along with a set of mid90s EMG jazz pickups. So I decided to make a new bass. Everything is from Warmoth except: bridge, pickups, and preamp. The body is a walnut jazz style body, neck is a reverse Tele®/P Bass® style maple. I chose this reverse headstock due to frequent use of dropped tunings in the rock groups I play with. It plays great and sounds great, the folks at Warmoth do a great job all around. Kudos! ANTOINE ESCALIER<br />This is my first project...<br> Deluxe 5 j-bass<br> Birdseye maple neck, 6105 frets vintage finishing,<br> swamp ash with flame maple top body, black brown yellow finish, beautiful!<br> Nordstrand pickups & aguilar obp1 preamp.<br> Badass bass bridge.<br> It's a really cool bass, very deep smooth low.<br> Thank you Warmoth, 2nd project is on the way !!!! John Rogstad<br />Black Korina, Tobacco burst, Fretless maple ebony neck, John East Pre amp and Nordstand pup's. It oozes mwaaah....another excellent build with Warmoth parts. Thanks. John Adam Fosker<br />So while staring at Warmoth, like I sometimes do, I decided to finally take the plunge, I saw an awesome neck and body, both for really cheap and ordered along with all the other parts bar preamp/pickups I already had, when it was ready they shipped on a Friday and it reached my house in England by Monday, and the photos here are from Wednesday evening and I played it Tuesday, and yes I work all day long, anyway, I am a complete n00b when it comes to this stuff, and I got a good result, so others can too, finish is superb. Glenn Gera<br />Swamp ash Jazz style body with a P/J config.Purpleheart neck and a Burgundy Mist paint job Glenn Gera<br />70's style Swamp ash Jazz with a pearloid block and bound neck Glenn Gera<br />Swamp ash Jazz style body with a P/J config.Purpleheart neck.Color is Burgundy Mist Metalic Mike Bellenir<br />Warmoth body and neck. Maple neck/Rosewood fingerboard. I finished the neck with 4 coats of Gel Poly and I finished the body in surf green nitro. Reshaped the back of the neck to a flat C profile for my headstock design. Hipshot Ultralight tuners and Bridge. Lollar Pickup's and Audere Pre. John Carey<br />Warmoth masterbuilt bass. For more information about NYC bassist, John Carey, visit www.Johncarey.net!<br> <br> Black, light weight alder body, full size.<br> Maple/Rosewood jazz neck, 20 vintage sized frets, finished w/nitro, cream face dots.<br> Tort guard<br> Fender '62 vintage reissue single coil jazz pickups with concentric pots.<br> Fender vintage style bridge.<br> Reverse full sized clover tuners by Gotoh.<br> Dunlop straplocks.<br> Chrome bridge & pickup covers.<br> Bone nut.<br> Mute kit installed.<br> Strung w/LaBella flats. Greg Gruntler<br />My 1st Warmoth assembly. Semi hollow Padouk body. Birdseye maple neck with ebony fretboard with bone nut. 6105 frets. Fralin passive J pickups. Schaller BML tuners. I would happily put this up against any American or custom shop Bass in the country. Thanks guys. Awesome product. David Peters<br />This is my first custom build. Body is swamp ash with flame maple top, neck is figured Birdseye Maple, both purchased from the showcase. Gotoh bridge, Schaller tuners, Sadowsky electronics with the vintage tone control upgrade. Bass is very nicely balanced and reasonably light. Action and intonation near perfect, electronics quiet, deep and punchy. I could not be happier with how this turned out, and I'm making plans now for my second Warmoth bass!! Frederick Rathbun<br />dinky J body, fender anniversary jazz neck, gold hardware, hipshot vintage bridge, bartolini pup w 2 band eq. Dustin Whitcomb<br />Quilted Maple on Alder body Maple on Maple neck 18V EMG Active P/Us w/ 3 band EQ Hipshot Bridge Tom Kallas<br />Beautiful figured walnut Warmoth Jazz bass body with Seymour Duncan 1/4 pound pickup set and Schaller roller bridge. This bass has a beautiful Warmoth wenge neck with ebony board and abalone dots.<br> <br> I had the bass set up my master luthier Mike Koontz in Detroit, and it plays better than any Fender I've owned or played.<br> <br> What took me so long to do this???<br> <br> This is my second Warmoth guitar, and it won't be my last!! Brandon Schmidt<br />Here is my SICK new Warmoth J5. Birdseye neck w/ abalone dots, 1 piece swamp ash body w/ out of this world burl maple top. I stuffed it with Nordstrand Hum Cancelling pickups and an Aguilar OPB3 pre. This bass packs a punch...the perfect mix of articulation and punch. This bass does it all. Unbelievable. Thanks again Warmoth!! Sean Noone<br />What we Got here is a Swamp Ash Jazz Body with Thunderbird Neck. Paint job was done by Neil Madden. This bass is nothing but simplicity meets attitude. Two Volumes, one for each Dimarzio pick up. Got the smallest frets available and had them upgraded to stainless steal. The bass plays like a dream and with the pickup combonation you can attain many different tones. If this was lost or stolen I would seriously be PISSED OFF!!!! Keith Hui<br />Body:<br> Flamed/spalted maple top in tobacco burst w/ drop top cream binding and mahogany body in translucent brown finish.<br> <br> Neck:<br> Maple neck in satin finish w/ ebony fretboard, stainless steel frets, and flame maple veneer headstock in matching finish.<br> <br> Assembled by Carey Nordstrand in April 2005. Daniele Crova<br />Hi all! Here is my Jbaz 5 called deepbluey, I'm very happy when I play with him!!<br> <br> Specs:<br> Lake Placid Blue Mahogany body<br> Black korina/ebony neck, finished with 5 hand of Trueoil bircwood casey and with 6115 stainless steel frets. The tuning machines are Hipshot ultralite.<br> <br> The bridge is a Leo Quann Badass V<br> <br> Pickups are Bartolini M45CBC soapbars wired in series.<br> <br> Electronics is Aguilar OBP3 9v with push/pull for active/passive on Volume pot and push/pull 400/800 Hz on Mid freq pot.<br> <br> I have assembled all parts wood & electronics and finished the neck. This thing has a lot of sustain and harmonics. The sound is vintage and modern at the same time, very versatile. I'm very proud of this work. I play rock and acidjazz/funk in two bands and he does the job very well. He scream through a Markbass LMII 500w head and a 2x10 400w cabinet.<br> So thank you all for helped me to find the light<br> <br> best<br> Daniele james migliozzi<br />jazz bass lefty replacement body with a 1973 jazz bass neck sprayed to match neck. I love it! Ray Scannapieco<br />This bass was my third Warmoth project. The body is an Ash Warmoth Jazz&reg' replacement body finished at the factory in Shell Pink. The neck is Maple with Rosewood fretboard that I tinted and cleared in nitrocellulose lacquer and then rubbed out. Pickups are Fender Custom Shop's. Pots are Vintage Fender 62 Jazz Bass stack knobs. All hardware is Vintage Fender that has been slightly reliced. The bass went together in just a few days. The fit and finish of your parts are incredible! The playability, sound, and beauty of this instrument surpasses all of my high end factory built custom basses! Keep up the good work. Erik Simpson<br />This was my first Warmoth project. I wanted a unique instrument, and Warmoth helped me out! Deluxe 5 Jazz body in Maple with Walnut top. Maple fretless neck with Ebony fingerboard. Bartolini soapbars and 18v preamp, and a Hipshot tremolo and D tuner. I had the pickguard custom made to fit, and I have a matching control cover. It weighs a ton, but boy does it sound outstanding. I have black tape flatwound strings, and it sings like an upright. Thank you. Joel Bence<br />This is my first build and it will not be my last. The quality of the Warmoth parts and the beauty of the finish grab everybodys attention when they see this bass. The deets:<br> <br> Swamp Ash body<br> Artic White Finish<br> Top plate and bottom routes<br> J x J Pickups<br> Maple/Maple Neck<br> pearl binding and block inlays<br> White pearl pickguard<br> Nordstrand NJ4SV pickups<br> Audere 3Band+Tone Preamp<br> <br> Thanks for the great work Warmoth! Niki Altmann<br />This is my first Warmoth Project and I am sure, not my last. I was looking for a bass with very transparent and linear sound plus a warm and acoustic component to make all the chords, arpeggios and tappings sound perfect for my solo project Margaret and Apoll. Visit myspace to know, what I mean. My favorite bass until now was my original Fender Precision 61 with PJ by Dimarzio and he is doing perfect in a band arrangement but my new Jazz is much more versatile for all techniques. <br> Hollow Jazz Bass<br> BodyWood: Alder<br> P/J EMGs<br> Finish: Alpine White/Solid Color beautiful<br> Warmoth Hip Shot Single String Bridge<br> Precision Neck smooth<br> Flame Maple Clear Satin Finish, Pau Ferro Fingerboard<br> Frets 6230 Stainless Steel sensational<br> Hip Shot Tuners HB6C – 1/2&" Clover Key Ultralite<br> Hip Shot three string retainer chrome<br> Corian String Nut<br> Matched Headstock<br> Mother of Pearl Dots<br> 21 Frets<br> Pickguard Warmoth Custom made for Precision Pickup / White Pearl<br> Straplocks Schaller chrome<br> Strings Optima LS Gold Maxiflex 4095 Lon E. Bass White<br />Exhibition grade flamed bubinga over figured mahogany body, maple bound and abalone blocked neck, Sadowsky humcancelling pickups and 9v Sadowsky preamp with Vintage Tone Control upgrade, all gold hardware. Huge fat warmth and fundamental clarity on every note of the neck. Marco Kramer<br />Ash body - vintage white, Birds Eye maple,bound and blocked, rosewood fretboard, Gotoh bridge, Shaller tuners, Fender '75 reissue Pick Ups, Tortoise Pick Guard.<br> <br> When the pieces arrived I was stunned! Wonderful neck! After assembling I took it to a luthier nearby. He did the final adjusting. Parts are perfectly crafted! <br> It has become a very nice instrument and I'm planning my next project already! Thanks Warmoth 4 such great products!!<br> <br> Regards, Marco Kramer Bill Medwediw<br />This is my third Warmoth. Alder body, bound and blocked Maple Jazz neck. All hardware is Fender MIA 62 RI with the traditional stack knob set up. The pickups still in a factory sealed box have been sitting in my parts box for several years waiting for the right moment and this was it. They are 70's vintage NOS DiMarzio J's with Patent Applied For stickers on the bottoms. I didn't want to go with a standard Jazz bridge cover so I used a Precision instead a little less eye filling. It sounds and plays great, and basses with a Shell Pink finish are few and far between!! Another home run! Richard Anastasio<br />Swamp ash finished in tobacco burst,<br> birdseye maple neck with a rosewood fretboard.<br> HAS Sound pickups and electronics.<br> This bass plays and sounds excellent.<br> I definitely made the right decision in putting my own together, I have no need to look for anything else. Phil Deckard<br />This is a beautiful Warmoth JBass Body and Neck combo with Duncan AJJ2 Lightnin' Rod p/u's. Best bass I own!! Johan Bricout<br />Pickups: Delano humbuckers<br> Preamp: John East Retro 3-band eq+push pull to split the bridge pickup + pickup selector + 2 ways selector for active/pasive tone<br> <br> Body & neck: Swamp-ash body with a mapple flamed top, mapple neck.<br> <br> Others: Badass2 bridge, ultralight headstocks... <br> <br> This bass is an awesome instrument, and all people who tried it really felt in love with her! I was looking for deep and powerful sounds,with a great attack as well as general modern tone...this bass has all of this, and even much more! If you are fond of the Sadowsky sound, you definitely need this my!gorgeous Warmoth bass!!!....that's correct, I'm in love Hitoshi Akiyama<br />This is my warmoth Dinky J Bass project.<br> The sound is good for slap.<br> <br> Neck: Maple <br> Body: Dinky J, Ash<br> Sadowsky PU & Pre-Amp, Badass Bridge Scott Fulton<br />Hi Guys!<br> <br> Here's my Lefty J-Bass. As many of you know, they just don't make left handed showroom boutique basses, and it's so hard to find nice instruments if you think with your right brain. This is my dream bass, and it's everything I could have ever wanted. Here are the Specs:<br> <br> Body:<br> Swamp Ash body w/ Flamed Maple top and an Ebony binding pinstripe Satin finish.<br> <br> Neck:<br> Wenge neck w/ 24fret Ebony fingerboard. No inlays side markers only. Warmoth headstock and hipshot tuners No finish.<br> <br> Electronics:<br> Seymour Duncan Stacked J-Bass Neck and Seymour Duncan MusicMan Bridge Pickups.<br> The pots are set up like an SG guitar w/ 2 vols, 2 tones, and a 3way toggle. <br> <br> Extras:<br> Schaller bridge<br> Stainless Steel frets<br> All black hardware<br> Dunlop Straplocks<br> <br> Thanks again Warmoth! When I get some more money together I'll definitely be building about 5 more! Max Tite<br />NECK: 20 fret quartersawn maple neck with brazilian rosewood fretboard, mother of pearl inlay and T-Style bass peghead. Finished in Nitrocellulose Clear Coat.<br> <br> BODY: One piece swamp ash jazz body, finished in Nitrocellulose Olympic White by Dan MacPherson.<br> <br> HARDWARE: Gotoh Vintage Nickel Reverse Gear tuners, Lindy Fralin SplitCoil Jazz Pickups, Stack Knob controls, BadAss II bridge. John Carey<br />John Carey's MasterBuilt Custom Warmoth J-Bass.<br> <br> For more information about NYC bassist, John Carey, check out www.JohnCarey.net and www.PlanetBassNYC.com!<br> <br> Specs:<br> Warmoth maple neck with maple fingerboard, black blocks and binding, vintage tint finish.<br> Warmoth mocha brown trans brown full sized alder jazz body, top routed.<br> Black/White/Black pickguard.<br> Passive DiMarzio humcancelling jazz pickups.<br> Bone nut<br> Schaller tuners<br> Chrome vintage pickup cover<br> Badass bridge<br> Dunlop straplocks<br> REAL CRYSTALS for full BLING effect!<br> Peacock Blue DR bass strings! Krister Bergman<br />Hollow Jazz Bass<br> <br> Body:<br> Hollow White Korina with Flame maple top.<br> <br> Neck:<br> Fretless Maple with Ebony fingerboard<br> Custom ramp by Johan Gustavsson www.jgguitars.com <br> <br> Pickup:<br> Seymour Duncan Antiquity 2 Jive Jazz Bass.<br> <br> Sounds MONDO Ben Davis<br />My J-Bass/P-Bass Hybrid started life as an unfinished Alder Warmoth Jazz body. I painted it using Reranch nitro spray paints and added a Japanese Fender Precision Reissue neck, Bartolini electronics and the ubiquitous Leo Quann Badass II bridge. This thing has got tone for days and plays great! Tom Riggall<br />This is my fretless Mexican J-Bass, Warmoth made this sweet pickguard you see on it, other modifications include three Chrome dome knobs, a Fender P-Bass bridge cover, and a set of EMG J pickups, sounds and looks amazing. John Carey<br />Masterbuilt Warmoth J-Bass:<br> <br> Warmoth Maple jazz neck w/rosewood f.b. and tele headstock, vintage size frets and vintage tint finish!<br> Warmoth dinky ash jazz body in bright red!<br> Lipstick pickups for a vintage vibe.<br> Badass bridge, schaller vintage tuners, cream pearloid jazz pickguard and Atelier Z chrome pickup cover.<br> Warmoth chrome decal on tele headstock.<br> <br> For more information on John Carey, please visit www.JohnCarey.net and www.PlanetBassNYC.com! Mladen Grubelic<br />Warmoth J Rosewood/Ebony fretless neck and Warmoth J Bass Walnut body with 1966 J Bass Pickups. David Mahoney<br />June 10, 2007<br> <br> So me and my son who is a year old were on our way home after getting our ear mold fitting, swim plugs for him Musician 49's for me.<br> <br> And we were going down the road where the best string luthier in the Gulf South, Sal: www.salvadorgiardina.com Sal has his shop, I saw his door open, and thought I would see if he had any basses for sale. So his shop is full of masses of string instruments, and he says the only thing I have for sale, is this P J bass which is just a neck and a body and a Bad Ass II bridge. And I said I will take it, when my house sells, I'll take it home.<br> <br> OK so my house sold!<br> <br> and he put this bass together for me, it is a custom hybrid kind of bass:<br> <br> here are the specks:<br> <br> USA Fender reissue T-Style Precision 1950's neck, maple<br> from the Fender custom shop.<br> <br> Warmoth, alder body natural finish,<br> <br> Bad Ass II bridge,<br> Bartolini pickups passive in the P J set up<br> <br> nice custom tortoise shell pickguard custom made, with matching back plate<br> <br> Labella flatwound strings 52110 the AKA James Jameson strings, makes it thumpy!<br> <br> wow what a sound!<br> <br> Sounds a lot like a bass Pino Palatino would play.<br> <br> coolness,<br> <br> David Mahoney<br> <br> www.davidmahoneymusic.com Dan Schmid<br />The body is made of Alder wood with a Flame Maple top. The Alder is coated with a Translucent Green paint and the Flame Maple is coated with a green dye. The neck consists of Maple, with translucent green paint, with an Ebony fretboard. The headstock is made to match the body. On top of the Maple is Flame Maple with a green dye to match the top of the body. To finish it off I put gold hardware. Schaller tuners, Gotoh 201 bridge, and gold control knobs topped with Mother of Pearl to match the inlays. I had EMGJ pickups placed in. Ioannis Dres<br />EMG pickups Dave Lufkin<br />All black project bass topped off with one-of-a-kind fretless maple neck from Warmoth. Features Schaller keys and bridge, rare English Reflex pickups. Onno Weeda<br />Swamp ash jazz replacement body Warmoth<br> Maple-maple neck with abalone dots. Vintage style frets fretwire 6230, also Warmoth.<br> Active and passive. Active with bass/treble boost or cut. With passive tone control, also working when the bass is set active just like Sadowsky USA. Aguilar OBP 2 preamp.<br> Seymour Duncan Antiquity II jazz elementen.<br> String-through-body Gotoh bridge.<br> Schaller Straplocks.<br> Hipshot tuners and Bass Extender drop D or C.<br> The bas weight is about 34 kilo, the balance is perfect. Anders Bjerfalk<br />Info:<br> Warmoth 5-string Fretless<br> Ash body oiled<br> Ebony fretboard neck oiled<br> Mec active pickups and preamp.<br> Ken Smith 5-string bridge<br> Gold hardware.<br> <br> This bass was ordered as a fretted 5string without pickguard. I was totally in love with the sound it produced and the versatility was endless.<br> But as time passed, the guilt of not playing my old 78 Fender mia Jazz got the better of me, so I had a native guitar-builder turn this bass into a fretless. Ive tried many fretless basses over the years.. none of them compares to this... Its got such a wonderful tone and the neck is to thin that it feels like playing a Pbass when I switch to my Fender Jazz.. Just love it! <br> Thanks Warmoth for great your products! Robert Smith<br />It's a Warmoth Neck Ebony on Maple, and body Quilted Maple on Ash. Those are EMG pickups and BTC tone control. Joe Roberts at Connecticut Music in Stamford assembled it for me, and did an outstanding job making it play up to its looks. Thanks! Bradley Wade<br />This was my first venture into custom bass building and I'm very pleased with the results so I'd like to share some info on my Warmoth project. It's a straight ahead J-style bass with 2vol/2tone: Bartolini 9J Noiseless pickups, Badass II bridge, Gotoh tuners Axe Music did the wiring and bridge install and stainless steel frets. As for woods, it's an alder body with a book matched canary wood cap and gonco alves neck with wenge fretboard. It's a versatile bass that does everything I need with a little class! I'm pleased enough with the results that I'm considering another custom build with Warmoth. John Carey<br />John Careys Master-Built Custom Warmoth <br/> For more information about NYC bassist, John Carey, check out www.JohnCarey.net and www.PlanetBassNYC.com!<br/> <br/> Specs:<br/> -Warmoth wenge neck with wenge fingerboard<br/> -Warmoth shoreline gold full sized alder jazz body<br/> -White pearloid pickguard<br/> -Passive Duncan pickups<br/> -Bone nut<br/> -Schaller tuners<br/> -Chrome vintage pickup cover<br/> -Vintage-style bridge<br/> -Schaller straplocks<br/> -Chrome Warmoth decal<br/> <br/> Warmoth makes some amazing necks and bodies. I currently own four custom Warmoth basses, and I love them all. . . They have a huge tone that I can always rely on in the studio or at live performances. When you think of MONSTER FAT JAZZ BASS TONE, think of WARMOTH John Carey<br />John Careys Master-Built Warmoth Custom 5-String<br/> <br/> For more information about NYC bassist, John Carey, check out www.JohnCarey.net and www.PlanetBassNYC.com!<br/> <br/> Specs:<br/> -Warmoth maple 5 neck w/maple fingerboard with high gloss finish<br/> -Warmoth full sized alder jazz body with flame maple top, tobacco burst<br/> -Lindy Fralin Jazz 5 pickups<br/> -Pensa 2 band preamp<br/> -Badass bridge<br/> -Hipshot Ultralight Tuners<br/> -Bone Nut<br/> -Schaller straplocks<br/> -Chrome Warmoth decal<br/> John Carey<br />John Careys Master-Built Warmoth Custom Jazz 4 Fretless For more information about NYC bassist, John Carey, check out www.JohnCarey.net and www.PlanetBassNYC.com! Specs: -Warmoth dinky alder jazz body with flame maple top -Warmoth fretless padouk jazz neck with ebony fingerboard with lines -DiMarzio ultra vintage jazz pickups -Bartolini 2 band preamp -Gotoh bridge -Schaller tuners -Bone nut -Dunlop straplocks -Warmoth waterslide decalJohn Carey’s Master-Built Warmoth Custom Fretless<br/> <br/> For more information about NYC bassist, John Carey, check out www.JohnCarey.net and www.PlanetBassNYC.com!<br/> <br/> Specs:<br/> -Warmoth alder dinky j body with flame maple top<br/> -Warmoth fretless padouk jazz neck with ebony fingerboard with lines<br/> -DiMarzio ultra vintage jazz pickups<br/> -Bartolini 2 band preamp<br/> -Gotoh bridge<br/> -Schaller tuners<br/> -Bone nut<br/> -Dunlop straplocks<br/> -Warmoth waterslide decal<br/> John Carey<br />John Careys Master-Built Warmoth Custom Ultra-Vintage<br/> <br/> For more information about NYC bassist, John Carey, check out www.JohnCarey.net and www.PlanetBassNYC.com!<br/> <br/> Specs:<br/> -Warmoth maple jazz neck with rosewood fingerboard, pearloid blocks and white binding, "boatneck" back shape of neck, 20 frets with matching headstock!<br/> -Warmoth full sized alder body in artic white, bridge pickup location moved back towards bridge by half inch a la 70s j bass . . .<br/> -Lindy Fralin pickups<br/> -J-Retro preamp<br/> -Badass bridge<br/> -Tort pickguard<br/> -Hipshot ultralight tuners w/drop D<br/> -Schaller straplocks<br/> -Vintage pickup cover<br/> Pieter Smits<br />Finally finished my bass project. Bartolini's took ages to be delivered. Anyway, here are the details:<br><br> Swamp Ash body finished in candy tangerine. Superb paintjob by you guys. The neck is a showcase birdseye maple with satin finish. TK5 bridge and Schaller BML lights, Bartolini pickups and Aguilar OBP-1 pre-amp. It has been played live twice and the sound and playability is better than expected! My Fender Roscoe Beck is now backup instead of main instrument!<br><br> The next project is already on the drawing board but I wish you would offer a 35" scale neck. Predrilled holes for Hipshot ultralites would also be a plus!<br><br> Kind regards, Brian Keele<br />The bass shown features a Warmoth solid alder body with a custom metallic finish by GMW. Note: the neck cavity of the Warmoth body required significant modification in order to accommodate this neck and line up the existing screw holes - a full 1/8" of wood had to be removed from the heel area (the side of the cavity featuring the truss rod rout, to be exact). So if anyone ever asks if a Geddy Lee neck is a direct fit for a Warmoth body, tell them "NO"! :) Further, the truss rod rout had to be widened slightly to receive the spoke-wheel type nut I opted to include.<br><br> The bass is fitted out with Hipshot tuners (including an extender key), a Leo Quan Badass II bridge, DiMarzio UltraJazz pickups and an East J-Retro onboard preamp. The pearloid Warmoth pickguard had to be modified (tediously) due to the enlarged neck pocket, the inclusion of the spoke-wheel nut and to correctly mate with the shape of the standard J-bass control plate.<br><br> Looking back, the project required far more time, money and modification effort than I would have ever estimated. Fortunately, I have a truly AMAZING instrument to show for it - can't tell you how many compliments I've received in just the first few days! Alan Dingwall<br /> James Trewenack<br />I'm really pleased with my bass body & parts you sent me around a month ago.. I've already used the bass live and in the studio and I've been amazed. It also looks VERY cool.<br><br> DiMarzio pickups, and of course Warmoth body.<br><br> You can expect an order from me in the next few days for parts for the parts for a Strat. It appears I've been bitten by the bug.<br><br> I can't find a reference to a customer number to speed up the ordering process, do you have one for me?<br><br> Thanks, Adrian Garcia<br />hello, my name is Adrian Garcia. I am a professional bassist in Las Vegas, currently playing in the musical "Hairspray" at the Luxor Hotel. I bought a Warmoth bass body and neck some time ago. I used all my favorite components on this bass and it has turned out to be a real workhorse with fantastic tone and feel on top of being a real looker. The bass draws comments from everyone that sees it. If God allows my health to uphold, I would not hesitate to order another bass from you guys. Thank you so much for a great quality product. Enclosed is a picture of the bass in case you would like to use it on your gallery page. God's blessings, Ryan Smith<br />Here's the run-down:<br> * walnut jazz body, rear-routed with P/J pickup config - from the showcase<br> * birdseye maple neck and fingerboard with satin finish - from the showcase<br> * black/white/black pickguard<br> * Bartolini 8S/9NL1 P/J pickup set<br> * Volume/Blend/Tone controls<br> * Leo Quan BadAss II bridge<br> * Lots of copper tape!<br> * 2 coats of walnut stain, 10 coats of Tung oil<br> * Elixir Nanoweb strings (100-85-65-40)<br><br> I have not yet had to adjust the truss rod and it already plays better than my MIM. The neck is solid! I am going to have to get some better tools before the next one (and there will be more...) Bill Keaveny<br />My name is Bill Keaveny from New South Wales Australia and I would like to submit a couple of my Warmoth guitars for inclusion in your gallery. I am happy for you to publish my email address, indeed I would be happy for you to include my website www.leftysguitarswapshop.com so your visitors could see a complete pictorial rundown of my Warmoth experiences. I first became aware of Warmoth products while searching for a replacement P bass neck for an old lefty Profile I had busted a decade ago. I bought one from the showcase and was very impressed with the quality of the product and the service I received from Eric. So impressed in fact that I decided to build a complete bass from Warmoth parts. I have been buying and playing left hand guitars 'off the peg' for over 40yrs and own 14 or so left hand guitars and basses. So when I discovered you guys and the range of timbers and neck options open to me I just had to build the J bass that I could never find in left handed form. The body is walnut, which I finished with Danish oil and Carnauba wax. I used 400 wet and dry paper to sand-in the first two coats leaving each to dry overnight and prepared each application by rubbing down with oooo steel wool. After letting it cure for a week or so I then applied the wax. I like to melt the wax by standing the can in a pan of boiling water. I then soak a folded pad of lint free cloth (an old Fender T shirt actually) in the wax and keep the solidified pad in a screw top jar to use any time. It makes it much easier than using a new cloth and cold wax every time and saves heaps of time. The birdseye maple neck received two sprayed coats of clear satin Cabothane (poly) and the headstock logo went on between coats. I fitted a Warmoth vintage pearl pickguard, gold Schaller BML tuners, gold Gotoh 201 bridge and a Schaller gold plated brass thumb rest in the old finger brace position. Pickups are Fender original Jazz bass and I did the wiring and set up myself. I specified abalone dots and 6230 frets for the neck and used Fender 55-105 flatwound strings. It plays like a vintage bass but has heaps more life to it and growls and purrs much nicer than my old Fullerton born machine. With a solid walnut body and the modern truss rod arrangement coupled with the chunky nature of the hardware this is no bantam weight but with a wide strap and sensible shoes even an old guy like me can still sneer at 6 string wimps who whinge about their "heavy" les pauls. I've got a lot of guitars and I enjoy them all but I get a special kick out of my Warmoths. Not just because I built them myself but that I can build them from such a wide range of materials, making them real "custom built" instruments and not just mass produced off the peg items. Keep on keepin' on girls and boys you are doing fine work. Justin Rickard<br />I built this bass while i was away at my boarding school in Hagerstown as a piece for my portfolio, as i intend to study design in college and plan to go into the music industry. This bass perfectly captures my affinity for vintage style and color theme (even though im only 18, which is why my friends call me a nerd) while remaining original in that i have never seen a competition with a black stripe, or at all for that matter. This bass has an alder body, finished in vintage white with a painted black competition stripe, a gotoh string through bridge, semour duncan basslines pickups, and a black pg with a red pinstripe. It has chrome hardware throughout, except the pg screws are in black to match and blend in. The neck is maple on maple with a vintage SATIN tint neck, which i had to ask for specially, but is really awesome! the vintage white pegface carries on the vintage theme, and i am in the proces of designing my own logo. The neck is SO smooth and sleek, and even unplugged, this thing is a serious monster. This has always been my dream bass, and i thank you for making it a reality! Gordon Bregg<br />My search is over. This bass has it all; playability, tone, balance, and good looks.<br><br> The soul of this beauty is made up of an alder body and maple/maple neck from the showcase. Both were finished by the experts at Warmoth. The heart consists of EMG pickups and electronics. Hipshot Ultralite tuners and a Gotoh bridge round out the package.<br><br> Because of the flawless craftsmanship, this project went together effortlessly and is a joy to play. Matt Ross<br />It doesn't get cooler than this...A custom hand painted left handed Bass. It was painted by Andew Sharpe, keys player in our band Toy Shop. The body, neck and pickguard are Warmoth. Emg-J pickups, Gotoh bridge, and tuners with a Hipshot Extender round out the instrument.<br><br> Thanks to Andrew and thanks to Warmoth for a great Bass!! Max von Raff<br />Warmoth Maple body , Bad Ass Bridge Circa 1979 , Rosewood Fretboad , Maple Neck, Seymour Duncan J-Bass Pickups Stefano Puccianti<br />Hi, I'm Stefano Puccianti from Italy, this is my new creation for bass!<br><br> is a Warmoth neck, bass peghead, birdseye maple and ebony fingerboard...self made body, 3 pieces ash (heavy), wenge 13 mm top!!!... Warmoth hardware....seymour duncan single coil Active pickups!! brass bridge....look the particular contour... The sound is exxxxtremely defined!!!! great!! ;-))) Carlos Lorenzo<br />My 2nd Warmoth bass and 7th Warmoth project overall is a Deluxe 5 with a drop dead gorgeous figured walnut laminate on alder that I spotted in the Showcase and just couldn't resist. The neck is also a Showcase rarity, an angled Warmoth with 5-piece maple / purpleheart construction, pau ferro fretboard and flame koa peghead veneer. Fender Noiseless and Seymour Duncan MM Alnico pickups, SD active 2-band electronics and a MM rotary mode switch for series / parallel / split (the latter also splits the neck pu), plus active / passive toggle. It's now my main bass and I like it so much that I've already ordered the parts for a backup. Incredible playability, great versatility, monster tone. Simply the best bass I've ever played, period. Eric Meyer<br />The bass is a five string Jazz bass, with a walnut body and a wenge neck, with an ebony fretboard. The fretboard has no dot inlays on the fretboard to keep it as clean as possible I finished the body with 10 coats of pure Tung oil, which gives the body a satin finish. The Tung oil really brought out the beautiful shades of brown and blonde in the grain. The neck is just gorgeous. The ebony's black goes well with the chocolate brown Wenge neck. Wenge's strong grain adds a pleasant "feel" to the wood. The smoothness of the ebony seems to make slides sound better. I added hipshot ultralight tuners.<br><br> I installed Seymour Duncan "Active Soapbars' and an ST-3A three band preamp, with a TK-5 bridge. The sound is incredibly deep, warm, and rich.<br><br> After building this bass, I know I can never buy a bass again! The quality of Warmoth parts far and away surpasses anything store bought, at any price point. Plus the opportunity to play something I had a hand in creating makes it even better. Thank you so much for making such high quality pieces!! Lee Mersek<br />Here's the bass I just finished from parts I ordered through you guys. It's a walnut Hollow Bass body, flamed walnut top and a bubinga LP neck with a fretless ebony fretboard. I stained the neck and body with an ebony stripe down the middle to give a neck-through appearance, then finished the whole thing in Varathane. The pickups are Seymour Duncan Quarter Pound P-Bass and Musicman pickups. I ordered the piezo bridge through guitarelectronics.com. This bass not only looks awesome, but it sounds great too. Very articulate and defined, yet deep sounding. Special thanks to Tony from Sodja Music here in town for helping me out with finishing advice and assembling the whole thing. I can't wait to do another bass. Matt Weiss<br />I just put my new neck on my bass and I wanted to send you guys a couple pictures of it. The neck looks and plays beautifully! I can't put my bass down!<br><br> The Bass has a custom black control plate and, of course, my Warmoth ebony/maple fretless neck with a vintage gloss finish and a graphite string nut. All other hardware are stock products.<br><br> Looking forward to my next Warmoth purchase! Ermanno Alviggi<br />BEAR BASS<br><br> Designed by Ermanno Alviggi- Benevento ITALY<br> Assembled and painted by MANNE GUITARS-Schio ITALY<br> Dinky J Bass Swamp ash Body Natural Satin Finish<br> Jazz Neck Birdsee Maple Natural Satin Finish<br> Delano (Germany) MM Alnico Pick Up<br> Mark Pearne<br />This is my tripped out J-Bass!!<br><br> Made entirly of warmoth parts (except the bridge cover and knobs, ebay!!) The body is made from hard ash and finished in 'Fiesta red' The neck is made from bird's eye maple finished in vintage tint gloss with a rosewood fretboard with abalone dots. The pick-ups are Seymour Duncan vintage style with replacement warmoth cream covers inkeeping with my colour sceme!!<br><br> Warmoth stuff is awesome! Simply the best better then all the... !!!! Somewhere in England!! Jason McNamara<br />Here's my Dinky, the latest in an almost never ending series of projects using Warmoth parts (most of which have been sold, thankfully, because I have no space left?). This one fought me a little bit, but plays just as well as I expected it to. Here are the specs:<br><br> Body: Warmoth Walnut/Swamp Ash/Koa Dinky from the Showcase; hand finished with many, many coats of Watco Danish Oil and Watco Satin Wax, sanded down to 1500 grit<br><br> Neck: Maple/Maple, Black Binding and Block Inlays, 6150 frets, clear satin finish<br> Pickups/Electronics: EMG JV set with 18V EMG BTC System <br>(Volume/Blend/Bass-Treble) and Black Stereo Deep Panel Jack<br> Bridge: Leo Quan Badass II, Black<br> Tuners: Hipshot Ultralites, Black, with Cloverleaf Keys<br> Nut: Graph Tech Trem Nut<br> String Retainer: Hipshot Three String retainer, Black<br> Strap Holders: Dunlop Dual Design Locking, Black<br> Strings: DR Black Beauties, .045 - .105<br><br> I did a lot of research on woods before building this; the laminated body provides a nice mix of hard and softwoods, each of which adds its own tonal flavor. The maple on maple neck provides the right amount of stiffness and bite, and coupled with the solid brass bridge, it results in an overall traditional tone with a bit of "growl" added in.<br><br> Thanks once again to Warmoth for allowing an outlet for my creativity. Ed Groblewski<br />Here is latest Warmoth 5-string I just put together. It has a swamp ash body and the color is Lake Placid Blue. The neck is birds-eye maple with a rosewood fingerboard. I also played the extra cost to have the stainless steel frets installed. The pre-amp and pickups are Sadowsky's. This bass sounds and plays unbelievable. The craftsmanship and detail is incredible. This is the second Warmoth bass I put together and plan to do another one soon!! I've played many of the top-of-the-line basses out there and a majority of them don't even come close. If you want a killer bass, I highly recommend that you give Warmoth a try!! Wayne Zito<br />This is a photo of a Wamoth bass body that I recently put together. It is Walnut, my favorite sounding wood for a bass. My experience is that nitrocellulose finishes adhere poorly to Walnut, especially if you want a heavy gloss finish. I used a two part acrylic urethane used for auto bodies. It adheres to anything, and cures hard as a rock. Believe it or not, I got astounding results with a preval sprayer and some hand rubbing. It is now a very shiny and bullet proof assault weapon. I did not find that the heavy finish compromised the sound in any way. These pictures don't really do it justice because of the odd lighting and reflection. Thank you for a very fine product. I have assembled five Warmoth basses since 1988, and each was superb. Two of them remain my primary instruments. Thank you.<br><br> Andrew Rothstein<br />Here is Warmoth jazz bass that I finished in metallic gold similar to the Gibson "goldtop" gold. I am extremely happy with it and I believe it turned out to be a real "one of a kind" instrument. Here are the specs:<br><br> BODY: Warmoth alder bass body with p/j pickup config.<br> NECK: Warmoth maple with fretless ebony board<br> HARDWARE: Chrome with a Schaller bridge<br><br> PICKUPS: Seymour duncan 1/4 p-bass pickup coupled with a Seymour Duncan one of a kind custom shop bass pickup. It is wired like a standard jazz bass. ELECTRONICS: CTS pots, orange drop capacitor and vintage style cloth wire was used. All cavities were shielded with copper foil and soldered for continuity. STRINGS: Rotosound steve harris flats The finish is genuine nitrocellulose lacquer. I started with sanding sealer, then white primer, then gold metallic paint and followed that with many clear coats of lacquer until the final wet sanding and buffing. Thanks for all your help Warmoth staff!! Varney <br />Here is a picture of the "Samurai Jack"Bass Completely finished from a Bass .The replacement neck was purchased from Warmoth. Coming Jan o5 Hammonation custom Finishes at www.hammonation.com Carlos Lorenzo<br />This is my fourth Warmoth project overall and my first bass. Both the body and neck are from the Showcase, flaawlessly finished by Warmoth as usual. The body is walnut with a drop dead gorgeous figured walnut laminate and the neck is flame maple / rosewood with a flame walnut headstock laminate and a perfect fret-work that didn't require dressing. Pickups are SD Vintage P-bass / Hot Stack and for now it's passive, though I'm designing an active "slap switch" circuit that I'll add later. With the light BML tuners and massive Gotoh bridge it balances perfectly. The sound has great definition and a very wide "bandwidth", with very solid and punchy bass, "woody" and harmonically rich midrange (walnut is a great wood for basses) and crystal clear highs. Playability is top notch, it feels twice it's price, and it's very comfortable despite the weight being on the heavy side.<br><br> Many thanks to Warmoth once again for their support and wonderful craftmanship! Svend Drewsen<br />This is my first bass project.<br><br> I got the bubinga from a local cabinetmaker, and the swampash from Warmoth. Sanded the surface with Micro Mesh sanding paper, oiled the body, and waxed it with beeswax. I love the feel of it. A little heavy, but I like that.<br><br> The neck is a Warmoth Bass neck. It is the best 4 string neck I have had in my hands. The quality and feel is VERY GOOD!<br><br> Now I would not dream of buying a factory bas. You will NEVER get the same quality in a factory bas, under 1500 dollar (with shipping) If you know what sound you want, talk to the Warmoth staff. They know what to buy, to get the sound you want.<br><br> This is the bass of my life, and I can for sure recommend Warmoth. George Seiden<br />Hello warmoth crew, New digital camera so I thought you might want to see some of the fruits of yours and mine labors. George Seiden John Carrigan<br /> This is a hollow bass with a flame top on a mahogany core finished with clear polyurethane covered by satin poly rubbed with steel wool. This method reduces the cloudiness in the finish. The neck is maple and ebony. The hollow body does noticeably enhance acoustics and would go great with a piezo. It is also very light on a strap, making it a joy to play. The electronics are Bartolini single coil J's through passive controls, a very good match with a nice growl. All in all an INCREDIBLE bass for just under $700. Thanks a lot Warmoth, I'm having a hard time getting use to any other basses. Seth Cowan<br />Gentlemen, Here's a pic or two of a bass that all my friends simply call "Blue". You can see why. She is a Warmoth bass body, flamed maple on swamp ash, blue dye on the top, and translucent blue on the back. The photos do not really do the nitrocellulose clear coats justice, the finish looks about a foot deep in person. I purchased a 3-year old Warmoth birdseye maple /rosewood neck from a fellow bassist (he did not like the fretless feel) and it popped right into the neck pocket like they had been fitted for each other. That in itself speaks to the amazing craftsmenship you guys do up there in Washington state. All hardware is from your online catalog.(except for the abalone topped control konbs, but they really set off the blue) I used flatwound strings and the pickups were custom-wound by Lindy Fralin. With the Gotoh 206 string-thru bridge holding it all together, this bass really purrs. It was my first project,I was simply building a bass for myself. Musicians are amazed that I built this bass, and I have begun to get orders for more custom work. My big selling point to them is that all of my basses and guitars will start on the Warmoth foundation. Thank you for helping me make my hobby into a well-paying venture!! CHAOS Guitars Nino Valenti<br />This was my 1st major Warmoth project. I was helped by my good friend Michael Maggio Jr. from Maggio Music in Brooklyn, NY. Swamp Ash body w/Quilted Maple top, Honey Burst Finish, Maple/Maple neck with Abalone inlays, Black Hardware, Gotoh GB7 Tuning Keys, Schaller Roller Bridge, EMG 40J Pickups, Aguilar OBP-1 2 band preamp If you have any questions, feel free to email me at ninobrown96@netzero.net Anthony ?Nino-Brown" Valenti Tino Tedesco<br />Remember this one? That's the custom PANDEMONIUM Deluxe neck with a 14" radius (instead of 10")...man it was worth it, one of the most comfortable 5 Basses I've ever had in my hands! The 14" radius is great. [Editor's Note - Due to tooling conflicts, custom radiuses are no longer available on bass necks. This is a one-of-a-kind bass!] Looks kind of classic and has tons of useful sounds from vintage to whatever; the Bartolini soapbars and 3-Band EQ give me that prominent Low Midrange growl (U know what I mean, the Holy Grail...) and that on a 5 string,...geee! Tino Tedesco<br /> A 5 Deluxe with a killer midrange and 6 string soapbar Pickups to make sure that the B string doesn't disappear even when hitting REALLY hard! Tino Tedesco<br />Nice and clean, a good live bass with a tremendously punchy Low B string! Brooks <br />I decided to take a plunge and put together my own Warmoth 'Jaco-ish' Bass. About a six weeks ago, a saw a nice, all-wenge J fretless neck in Warmoth's Showcase and went for it. A couple of weeks ago, a nice alder body with qulited maple top popped up in the Showcase. Folks at FenderForum recommended I pair wenge neck with an alder body, so I went for it. I also got a Gotoh 206 bridge, pots and jack, string retainer and some screws from Warmoth. I already had a set of HipShot Ultralights for a Jazz. All parts fit PERFECTLY - a testament to Warmoth's fantastic quality. Neck pocket was absolutely perfect, all holes were drilled where they were supposed to be. Bass is VERY quiet with either pup soloed, treble on full, and my Carvin R1000 on full volume, even when I stand right next to a fluorescent light fixture. I had some trouble with the pups, because they were a bit too big for the routs. When I bought a '75 Jazz, these pups were installed without the covers for the same reason - in other words, Warmoth routing was good, pups were just bigger than they were supposed to be. I had a couple of Fender J pickup covers, so I 'shaved' them all around (the invisible part) until they fit. Warmoth supplied me with CTS pots, dome covers, jack and the cap. Gotoh 206 fit in perfectly and was easy to adjust. My biggest concern was the nut. I used a triangle file to start the groves, then a Dremel with 1mm cutting disc to shape them to size. Strangely enough - it worked! I took measurements off of my Rick Turner Fretless which is also 1.5" at the nut. And there you have it - after a few evenings, I have a great sounding, very playable fretless Jazz. Neck pup (wish I knew what it was) is very punchy and full-sounding, while the bridge pup gives that typical Jaco sound. There are tons of mwah, probably thanks to that lovely all-wenge neck and roundwood strings. In terms of looks, you can see the pic - I think it looks very classy and simply beautiful! Bud <br />I thought you might be interested in a couple of Warmoth axes I've built. I just finished the bass. It started out as a Dinky-J body that I got from your Showcase. It wasn't quite dinky enough for me so I did a little extra carving on the cut-aways and the heel and also at the base of the neck. Don't try this at home kids unless you know exactly what you're doing. It has a standard Warmoth Bass neck, EMG's with their BTC control system, a Hipshot bridge and Gotoh tuners. The pickguard is my own design. It plays & sounds awesome. I built the about 12 years ago. It's got Evans' pickups, which I believe are no longer made. It also plays & sounds great and has held up incredibly well through the years. Both instruments sport cut and polished Krylon paint jobs. Hey....it works. Gerald Dallhammer<br />This Warmoth Bass features an SwampAsh Body with Quilted Maple Top and Tobacco Sunburst Finish. The Neck is Goncalo Alves with Ebony Fretboard and custom pearloid block inlay made by a befriended guitar luthier. I mounted DiMarzio UltraJazz Passive Pickups, a J-Retro Preamp and pearloid pickguard from Warmoth. Gotoh "string-through-body" bridge is also included. The headstock has a pearloid inlayed guy from jamiroquai for fun. Only the headstock front has been finished in high gloss. the rest of the neck is oil finished - for this real fast feel. I am very proud about this because it sounds great with this vintage look featuring modern electronics and parts. Would do this every time again... Jared Lee<br />Here's a picture of my recently finished Warmoth Bass. It's an Alder bass body routed for bass pickups and a Single Coil P-bass pickup at the neck. The neck is a maple on maple bass neck with Bass headstock, graphite nut, Schaller BML tuners. I put in DiMarzio Billy Sheehan model Will Power middle P-bass pickups and wired them for dual sound capabilities with a push pull pot. The Single Coil is a Duncan SCPB-1 Vintage '55 and adds a really sweet sound on top of the bass p/u's. (It's also autographed by Green Day's Mike Dirnt). The bridge is a prototype Nickel BadAss II bridge that I was able to purchase direct from Leo Quan & Co via Ebay and warms the tone even more than a regular BadAss II! The finish is a beautiful Tobacco burst thanks to the Warmoth finishing shop. I had to cut the hole for the Single Coil out of the pickguard myself, but it was well worth the time with the dremel. The bass was assembled and set up by the good people at Subway Guitars here in Berkeley, who were at first confused by the pickup combination, but conceded "That is a really nice bass" when I picked it up. All in all, the bass balances wonderfully and pumps out the sweet tone that I had been searching for! I am now finally satisfied with my bass & amp Thanks! Jason Keller<br />This is my newest addition to my arsenal. It's a Warmoth swamp ash 5-Str Bass body, stained walnut, with a Brazilian rosewood top. The body is finished in lots of tung oil, giving it a beautiful lustre. It has a wenge Warmoth peghead neck with a fretless pau ferro fretboard. I used all gold hardware, including a brass nut blank that I shaped and installed. This is the first bass that I've constructed, and I must say that I am absolutely amazed at the craftmanship of the neck and body.Unamplified, it has sustain and mwah like you would not believe. The beauty of the Brazilian top alone was worth the purchase! Jeff Davis<br />This is a photo of my Warmoth project bass. The body is a mahogany style, ordered painted in Sonic Blue. The neck is wenge from the Showcase. The electronics are a Basslines MM pickup with active preamp. The goal was a bass that sounded like a Super Stingray (and it does), but looked like a clean, sparse looking bass. I couldn't resist having it painted in acres of baby blue. The parts fit together great, with no fitting problems. The body was shipped in a foam slipcase, and arrived without a mark. These guys were great to work with. Joe Meyer<br />I just finished my 5th Warmoth Bass. The body has a 5A quilted top with a black accent line transitioning to the swamp ash core. The body was finished clear (no tint) by Warmoth and it looks beautiful! It's buffed to a glass like finish and is absolutely flawless! I installed Bassline electronics in the bass. I chose a at the neck position (SJB-1N) and a Musicman at the bridge position (SMB-4D). I installed the STC-3 Bassline pre-amp with a master volume (push/pull pot for slap tone), pick-up blend, mid-range boost/cut, & bass/treble boost/cut on a concentric pot. I also added the on/on/on switch to allow parallel/series/split sounds on the MM. The bridge is a black ABM that utilizes allen screws to adjust intonation in lieu of the normal screw/spring design. I highly recommend this bridge! The neck is made from birdseye maple with a Pao Ferro fingerboard. I finished it with approx. 14 coats of polymerized. I originally wanted to purchase a Musicman Stingray, but after playing several, felt that I would be able to get more sounds with a mounted in the neck position. I tried a Lakland 4-string with the pick-up configuration and loved the sound, but thought it was very over priced and wasn't crazy about the neck and fret job (the frets were dressed badly and notes buzzed all over the finger board). I e-mailed Basslines and asked for some help in choosing the pick-ups and electronics and they were extremely helpful. I couldn't be happier with their recommendation! The slap tone is huge and the electronics allow you to fine tune several other great sounds without ever touching your amp. The pre-amp is also very quiet. Bottom line: Another very satisfied Warmoth purchase! Kevin Johnson<br />This is the first instrument I've built. The neck and body were carved and painted by Warmoth. It has an ash body with a AAA quilted maple top. The neck is maple with pau ferro and has a quilted maple headstock laminate. The neck and body are both finished in a cherry sunburst. The pickups are a Duncan Quarter-Pound Bass and a Duncan Alnico Music Man humbucker. I also used Duncan's 3 band tone circuit. I added a coil tap switch for the humbucker and an passive/active switch. This bass has a huge range of tonal possibilities. It can sound like a Stingray, Bass, or anything in between. The quality of the Warmoth parts is amazing! The fit between the neck and body is great. Thanks Warmoth! Bud LeCompte<br />Here's a picture of my new Warmoth bass. Both the neck and the body were purchased from the Showcase. I had Warmoth do the blue dye job which is incredable and really shows off the maple top. The bass features a Bartolini Musicman style pickup, a Bartolini preamp, A WD 201 style bridge, Hipshot Ultra light tuner with a D-tuner. The bass is strung EADGC. It was a lot of fun to build as always. Great parts! Piotr Machalowski<br />This is my first Warmoth project and not the last. Both body and neck were purchased from the Showcase. The body is alder (beautifully finished in shoreline gold) and the neck is tinted maple with rosewood fingerboard and creamy blocks and binding. As you can see on the pictures - it looks very classic. As for the sound: long sustain, punchy, with heavy lows and mellow mids - singing in the upper positions, sounding close to P-Bass on the neck pickup. By the way, the pickups are the simpliest passive available, made by Schaller. It's a great instrument. Thank you. Mark <br />My Second Project Body: Walnut Warmoth Neck: Maple/Ebony Warmoth fretless Pickups: Aero Instrument Single Coil Neck/Bridge/Reverse Wound Bridge Bridge and Tuners: Schaller Controls: Volume/Tone-Neck/Tone-Bridge, 5-Way and Mini-Toggle for seven selection options Matt Boyle<br />I am 16 and for Christmas I received parts to put together a bass. I used a 1-piece Korina Jazz Bass body that I bought from the Warmoth Custom Showcase. I bought the Warmoth Paudok P-Bass neck with Schaller vintage style tuning machines on ebay. The electronics are one 1975 Jazz Bass pickup and another later 70's DiMarzio Jazz Bass style pickups. I had a vintage style wiring harness set up for me. I also have a great bridge on there and I have jumbo sized frets on the neck. My tech teacher at school put the nice lacquer finish on. I played this bass at Kenny's Castaway's in Greenwich Village the day after completion. This bass rocks and it took place of my warwick streamer standard. Thanks for making such great parts. Matteo Pessina<br />I wanted to share my experience with Warmoth stuff. I desperately wanted a bass which had to be "the One." I love 60's basses, so I put together a Shoreline Gold Alder body with Padouk neck and fretboard (from the Showcase). The rest comes from my favourite guitar shop where I live in Italy. - Tortoise shell 62's pickguard from Fender - 60's Custom shop pick up from Fender - Gotoh Bridge - Bone nut (hand carved by myself! looooong job) - Custom self designed string retainer - Gotoh Vintage tuners - 62's style control plate (hand cut from a metal plate and then chrome plated) - Last, but not least .....: custom designed neck plate (with bass clef carved in!) The sound : Even , balanced in any part of the neck , clear and full bottom , deep midrange , detailed higs. Is the bass of my life. Thanks again. Rick H.<br />This is my first Warmoth guitar and my first 5 string, so I was a little apprehensive about a "sight unseen" guitar. I couldn't be happier. It's a 5 string Bass with Swamp Ash body, Eastern maple neck, and Birdseye Maple fingerboard. It has Seymour Duncan pickups, and a Schaller 496 bridge. I also opted for the concentric pots to reduce "knobage". It sounds great and plays wonderful. Thanks Warmoth Ric <br />I have been checking out the home made machines and it is really great to see what other's are building. I have had lots of fun building mine and the parts from Warmoth are terrific. The bass guitar has an ash body with transparent burgundy stain. All of the hardware is black. Sounds great. The six string has gold hardware with a transparent turquoise finish over flame maple. I also did a slight burst with a darker blue on it. The photos don't do it justice. The logo is gold foil under the clear coat. It has Sperzel tuners, Wilkinson trem, active/passive pickups with coil splits and phase switch. This thing cranks. It can be mellow or rip your head off. Definitely will cut through any mix and the neck is superb! Scott Kennedy<br />I was inspired to build this bass by the Fender Bass Book by Klaus Blasquiz. On page 22 picture #3 is a one of a kind gold on gold Jazz bass built by Fender's custom shop in 1983. This one does not look exactly like that one but it's pretty close. I have over twenty year's experience repairing, rebuilding and doing just about everything that can be done to a stringed instrument. I have worked with many different types of bodies and necks over the years and Warmoth is beyond compare. No one, I mean no one builds a better body or neck.<br><br> Specifications: Alder Warmoth 4 String Bass Body - Bought finished by Warmoth in Shoreline Gold. Birdseye Maple Warmoth Neck w/21 Jumbo Frets on Maple fingerboard and no fret indicators. (Side fret dots are ?3/32 black). Rare gold plated neck plate. It's breath taking to look at bolted to that beautiful Shoreline Gold body and Birdseye maple neck. Hot vintage Kent Armstrong Bass Pickups in both neck and bridge positions with hard to find white pickup covers. (Have you ever seen bass pickup covers white?) Maybe, but not often and when you do they are usually cream not white. 2 ea. 250k split shaft volume control pots w/ volume knobs - white with gold. 1 ea. 250k spilt shaft master tone control pot tone knobs - white with gold. .047 Capacitor for great tone. Hard to find gold plated output jack. - Many of even the top builders use standard chrome output jacks with gold hardware. Check it out its true. Fender USA gold plated bridge assembly with brass saddles. Gold plated Tuners. Hand made brass nut. White Pearloid pickguard. Fender gold plated control plate. Gold string retainer. Schaller gold plated strap lock system. For Strings Music, Louisville, Kentucky February 2002 Kevin Sprissler<br />Here is a picture of a Warmoth I recently constructed. I have a Yamaha TRB that sounds excellent, but just too modern. Increasingly my playing style required a bass that sounded vintage. To save money, I decided to build this Warmoth with my father. I did most of the research, as to what part, what pickup, etc. and he did the bulk of the construction. I ended up choosing Lindy Fralin pickups for their pre - CBS tone. Construction was fairly easy for those who are afraid to drill holes for the neck and pickups, etc. Nothing was overly frustrating and the end result was a beautiful replica of a 1962 Jazz Bass. Although the action still hasn't been perfected yet, it plays and sounds better than I would have believed. It sounds just like the stock basses and has all the modern improvements that a bass guitar should have nowadays. Thank you Warmoth for a great bass! I see lots of gigs for this bass (try this Saturday!) J. Todd Hurry<br />I started with a Warmoth walnut bass body ... then I put on a Warmoth vintage style prec neck with a repro 68 precision decal from Jason Smith (Doc Ranger on ebay- highly recommended!). The neck joint perfectly matched the neck. I was very happy as others that I have rebuilt have not had such nice joints. Schaller machines, a Gotoh bridge (altho a vintage may be put on), and pots wired with superior high conductive OFC and silver solder from YBA, a French hi-fi manufacturer (whom I work for!). Tung and teak oil finish for the body, and a french polish for the neck - very sleek. P-ups are top of the line passive Dimarzios. I foresee getting the push push pots from Dimarzio so I can do humbucking and single coil type sounds for both p-ups without drilling modifying the body. This bass is Schaller, Gotoh, Warmoth, Dimarzio and a whole lot of soul! Thanks to Warmoth for helping me make a perfect funk machine and thanks to my friend Perry the restorer! She is waaaarm and has sustain like I have never before heard. Sure, she is heavy, but she has fantastic unique sound qualities. She is already making lots of friends too - she is very seductive! Wes Watson<br />I am very happy with how this Bass turned out! This was my first venture into DIY bass guitar making, and I am very pleased. Everyone that has seen this Bass is amazed at how inexpensive, and great looking it turned out. It has the look of a Bass that would cost 3 or 4 times what I paid for it. To explain what I did: I used Tung oil and Minwax Wipe-on polyurethane. I did 8 coats of tung oil, with 0000 steel wool between coats, and 15 coats of the wipe on poly, again with 0000 steel wool between coats. It was alot of work but turned out great. After the final coat had cured, I again used light steel wool to give it a satin look. The body is black korina Bass, the neck is Goncalo, with an Ebony fretboard (all Warmoth). I added passive Bartolini Jazz pickups, and finished it with all Warmoth hardware. With the string through body bridge, this bass will sustain forever. In the words of Spinal Tap, "I can play a note, and go make a sandwich, and it's still playing"! Special thanks to Bob at Warmoth - the all-black hardware does look great. thanks for the suggestion! Thomas Storm<br />Thanx a lot, for such a nice piece of work!! <br/><br/> The body of the bass is made of Ash painted Alpine White with a matching pegface. The Neck is of Maple birdseye, which is so beautiful and the fingerboard is rosewood and the finish is vintage tint gloss wich fits really well with the white color of the body and the pegface. It just adds that custom look. <br/><br/>I put in Antiquity Pickups in and they rock! I chose all the hardware to be black, because that is just too cool. After I got this bass I´m finding it hard to play on the other two I have. Jacques Paulin<br />Here is my first warmoth project, consisting in a gloss black Dinky bass alder body and maple neck. The fingerboard is pau ferro which has a nice chocolate color. Parts choice and assebmbling have been done by JP and Fred from JPBASSES. JP recommended the use Nordstrand NJ4-SE pickups along with an E-Pro (John East) BTB-01 preamp with added passive tone control. The result is simply awesome! This bass looks really beautifull and soundwise, it ranges from Jaco's smoothy tones to modern bright sounds. The incredible dynamics of my Dinky through my EBS amplification makes a terrific combo!



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